The inaugural season of ONEcomposer, celebrating musicians whose contributions have been historically erased, is devoted to American composer Florence Price.
In “Teardrops of Time: Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong,” Fuhrmann places this Thai poet among the most significant of the 20th century, arguing that his poetry adapts Buddhist principles to “re-enchant,” through art, a Thailand and Southeast Asia depleted by modernization during his lifetime.
Molly O’Toole '09, the Zubrow Distinguished Visiting Journalist Fellow in the College of Arts & Sciences this semester, shared career advice, political insights and anecdotes from her work and life during two recent talks.
In a new book, “Movies on Our Minds: The Evolution of Cinematic Engagement,” psychology professor emeritus James Cutting explores the perceptual, cognitive and emotional reasons we enjoy popular films.
In “Violence and Risk in Medieval Iceland: This Spattered Isle,” Oren Falk considers the medieval Icelandic sagas as case studies, arguing that violence serves as a technique for dealing with uncertainty.
Screenwriter, novelist and educator Howard Rodman ’71 will be on campus Oct. 17 for a reading of his most recent book, "The Great Eastern," in one of two public events hosted by the Milstein Program in Technology and Humanity.
A monumental calligraphy scroll on display in the Bartels Gallery in the Herbert F. Johnson Museum of Art, by Tong Yang-Tze, one of Taiwan’s foremost calligraphers, can be viewed online.
Michael Fontaine’s lively new translation of Cicero’s ancient text on humor, “How to Tell a Joke: An Ancient Guide to the Art of Humor,” amuses as well as instructs – as Cicero no doubt intended.
In his new book, “The Early Martyr Narratives: Neither Authentic Accounts nor Forgeries,” humanities professor Éric Rebillard argues that martyr narratives are “fluid texts,” written anonymously, but not as literal historical documents.