Coordination can be essential, but moral progress requires room for people to hold minority views, finds new research by Shaun Nichols, professor in the Sage School of Philosophy.
In the fall, Cornell Cinema offered several films with ties to courses being taught on campus; this spring, the cinema will continue to offer a wide variety of films with course connections. Virtual screenings begin in February.
Amy Crouch ’22, a linguistics major in the College of Arts and Sciences, recently released her first book, “My Tech-Wise Life: Growing Up and Making Choices in a World of Devices,” written with her dad, author Andy Crouch ’89.
The intimacy of domestic space was a crucial aspect of LGBTQ life in the postwar era, according to historian Stephen Vider, who explores that history in his new book, “The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity after World War II.”
"We Love We Self Up Here" is a documentary film that's an extension of Cornell's fall 2019 Mellon Collaborative Seminar titled Atmospheric Pressures: Climate Imaginaries and Migration in the Caribbean.
An original solo performance, “spit fire, drink gasoline (repeat),” created and presented by Levi Wilson ’21, will have its YouTube premiere on March 25 at 7:30 p.m., available to view anytime until April 25. The event includes a Q&A with internationally acclaimed performance artist Tim Miller.
More than a dozen students are taking part in the 2022 Cornell Biennial, which aims to serve as an anchor for the arts at Cornell and bring artists from around the world to campus.
“Trap Door,” a “headphone walking play” open May 20-30 in downtown Ithaca, invites audiences to notice the streets they travel, says lead writer Lyrae Van Clief-Stefanon.