Katherine Howe writes about young women under pressure with a parallel story of an accuser at the Salem witch trials in her first young adult novel, “Conversion,” inspired by actual events.
The College of Architecture, Art and Planning’s New York City program has moved into a new space in the Standard Oil Building, a historic landmark overlooking lower Manhattan.
Jeremy Handrup and Erin Ferro-Murray, students in the course Parasites! The Art and Media of Imposition, devised art projects that explore the notion of parasites in different settings.
Student fashion designers are sketching and making patterns, finding and fitting models, and cutting and sewing fabrics for the 31st Cornell Fashion Collective runway show, Saturday, April 11 at 8 p.m. in Barton Hall.
Twenty-five years ago public intellectual Francis Fukuyama ’74 wrote an essay called “The End of History.” A campus panel Nov. 18 challenged many of Fukuyama's premises.
Dendrochronology research by professor Sturt Manning has established a secure timeline for the archaeological and historical chronology of Mesopotamia in the second millennium B.C.
"A Needle Woman," artist Kimsooja's project with materials scientists that was displayed on the Arts Quad in the Cornell Council for the Arts Biennial, is the subject of a new "Art21" documentary.
An an exhibit curated by a Cornell art history professor focuses on the threat of rising ocean waters to the nation of Tuvalu this summer at the Venice Biennale.