Kate A. Manne, professor of philosophy, and Leeza Meksin, assistant professor of art, have been named 2026 fellows by the John Simon Guggenheim Memorial Foundation.
New York Times White House correspondent Zolan Kanno-Youngs will share insights about his work covering immigration, homeland security, criminal justice and inequality in an event March 17 with Dean Peter John Loewen.
For the ancient Greeks, an image could be understood as a seal pressed on a material to leave a mark, as opposed to an inferior imitation (mimēsis), scholar Verity Platt argues in a new book.
Masi Asare of Northwestern University and arts journalist Billy McEntee have been named winners of the 2024-25 George Jean Nathan Award for Dramatic Criticism.
Scholar of law Philippe Sands will give the LaFeber-Silbey Lecture in History on March 5, considering "Lessons from History and Literature, from Nuremberg to Pinochet and Beyond.”
Through rapid prototyping and creative experimentation, Harald and his students explore how emerging technologies can reshape the way we interact with both digital and physical environments.
Released on Feb. 6 via Naïve Records, Hamasyan’s album “Manifeste” marks a new chapter for one of the most visionary artists working at the intersection of jazz, progressive rock and global music.
Rooted in the Afro-AmerIndian heritage of communities along the Caribbean coasts of Belize, Guatemala and Honduras, Garifuna music blends West African rhythms, indigenous Carib influences and the Arawak language.
During her Yaddo residency, Danielle Russo developed a dance piece, enriching the work by drawing on ideas of ritual movement, personal memories and family history, and more.