Novelist Susan Choi, MFA ’95, whose novel "Trust Fall" won the 2019 National Book Award, will read from her New Yorker story "Flashlight" during a virtual event on April 22.
The Program on Ethics & Public Life in the Department of Philosophy is sponsoring a public debate series, which kicks off Oct. 1 with “Health vs. Economy in the Pandemic Control: What is the Right Balance?”
Rebecca Harris-Warrick’s opera project, “The Pleasures of the Quarrel” will be shown March 27 at Bailey Hall. This is a collaboration between the New York Baroque Dance Company, the Cornell Chamber Orchestra, four professional singers and students.
Natalie Wolchover, an award-winning science writer with Quanta Magazine, has been named the Zubrow Distinguished Visiting Journalist Fellow in the College of Arts and Sciences for spring 2022.
Lara Fresko Madra, a doctoral candidate in the history of art, archaeology and visual studies, was recently selected as one of 23 recipients of the 2020-21 Charlotte W. Newcombe Doctoral Dissertation Fellowship.
“Policy, Politics and Ethics of the Coming AI Revolution,” an Arts Unplugged webinar, will explore the impacts of artificial intelligence (AI) and technology on our current political system and reflect on ethical concerns for the future, hosted by the College of Arts and Sciences.
A webinar organized by Cornell Asian American Studies Program will bring together three scholars of refugee studies to explore humanitarian and other efforts that have formed following U.S. wars in Vietnam, Laos and Cambodia.
Ethan Dickerman, a master’s student at the Cornell Institute for Archaeology & Material Studies, created the Tompkins County Rural Black Residents Project as part of a Rural Humanities Seminar, hosted by Cornell’s Society for the Humanities.
Starting May 28, Paul Ramírez Jonas’ “Key to the City 2022” will transform a symbolic honor into one enabling thousands to access diverse sites across Birmingham, England.
Freedom on the Move, a database documenting the lives of fugitives from American slavery through newspaper ads placed by slave owners, has received a $150,000 grant from The Andrew W. Mellon Foundation.