Cornell researchers will collaborate with Google experts to improve group interaction in online social networks. The work will be supported by a grant of $800,000 from Google Inc. (Feb. 21, 2011)
Robots that self-improve and machines that print products at home are technologies on the horizon, said Hod Lipson at the 2011 American Association for the Advancement of Science annual meeting. (Feb. 21, 2011)
Cornell psychology and neurobiology professor Timothy DeVoogd has written an editorial in the Feb. 26 issue of Science calling for more 'science diplomacy' with developing countries. (March 1, 2010)
Four Cornell undergraduates will showcase their scholarly articles at the American Association for the Advancement of Science meeting, Feb. 17-21 in Washington, D.C. (Feb. 18, 2011)
Cornell professor of music Annette Richards has produced an exhibit of the portrait collection of Carl Philipp Emanuel Bach, son of J.S. Bach, in Leipzig, Germany. (Sept. 20, 2011)
South African activist Albert “Albie” Sachs made his first visit to campus Aug. 29 as an A.D. White Professor-at-Large. He spoke about his work fighting apartheid, and he emphasized forgiveness.
The Samuel Curtis Johnson Graduate School of Management marked a major milestone Sept. 13 at the official dedication of the new Cornell Tech campus on Roosevelt Island in New York City.
Trey Graham, theater critic at the Washington City Paper, is the winner of the 2003-04 George Jean Nathan Award for Dramatic Criticism. The award, which carries a $10,000 prize, is administered by the Cornell University Department of English and is one of the most generous and distinguished in the American theater. Graham was selected by a committee consisting of the chairs of the English departments of Cornell, Princeton and Yale universities, assisted by experts on the theater from those universities. The Nathan committee citation reads: "For Trey Graham, the play's the thing. In reviewing classical and contemporary work produced in the Greater Washington D.C. area, he brings a fresh eye both to things we think we know and to things newly-minted. He writes with sensitivity and flair about the individual masterworks of the British and American canon, but he's especially adept at linking these and other works from the past with the best the present has to offer." (December 20, 2004)