“Trap Door,” a “headphone walking play” open May 20-30 in downtown Ithaca, invites audiences to notice the streets they travel, says lead writer Lyrae Van Clief-Stefanon.
In a case won by Cornell Law School's First Amendment Clinic, law student Rob Ward addressed a novel question in New York state court concerning recent changes to state statutes intended to protect free speech in public matters.
“Regio (Royal),” a new theatre production that uses contemporary dance and puppetry to share stories about Latinx immigrant workers affected by the COVID-19 pandemic, premiers online May 21 and 23, produced by the Department of Performing and Media Arts, College of Arts and Sciences.
In “Violence and Risk in Medieval Iceland: This Spattered Isle,” Oren Falk considers the medieval Icelandic sagas as case studies, arguing that violence serves as a technique for dealing with uncertainty.
Author Roxane Gay, whose writing explores feminism, race, body image, social topics and fiction, will speak virtually at Cornell Senior Convocation on May 28.
Luis Schang says the benefits of returning to a more open society now outweigh the marginal risk of vaccinated people not wearing masks and distancing.
The Cornell community can view a report of findings compiled by the firm that held the discussions, which focused on public safety and policing on the Ithaca campus.
In the U.S. alone, the hard cider market has increased more than tenfold in the past decade and Gregory Peck, assistant professor of horticulture in Cornell University’s College of Agriculture and Life Sciences, has been exploring ways to increase the quality and quantity of New York-grown cider apples.
The National Endowment for the Arts has approved a $30,000 Grants for Arts Projects award to the Department of Music to support a musical response to Freedom on the Move (FOTM), a database housing digitized, searchable fugitive slave advertisements.
