‘From Big Red to Red Carpet’: Alumni filmmakers share stories

Cornell alums Scott Ferguson ’82 and Michael Kantor ’83 – Emmy-winning producers – will reflect on their careers in film and television production during a two-day visit to campus March 28-29 as part of the College of Arts and Sciences “Arts Unplugged” series.

Fashion show embodies labor of love for student designers

The Cornell Fashion Collective held its annual student-run Spring Runway Show in Barton Hall on March 11.

Amara Valerio ’24 advances on ‘American Idol’

Amara Valerio ’24, an American studies major in the College of Arts and Sciences, is advancing to the next round of American Idol.

Cornell alum to speak on the power of nonfiction comics

On March 28, Andy Warner  ’06, author of the memoir "Spring Rain" and several other books, will explore the power of graphic media to tell true stories.

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Philippine study analyzes Marcos family return to power

New findings give insight into global trends of increased democratic backsliding and autocratic regimes gaining power.

Physics theory could be slam dunk for basketball coaches

A physics theory that’s proven useful to predict the crowd behavior of molecules and fruit flies also seems to work in a very different context – a basketball court.

Dead & Co. to play benefit at Barton Hall, honoring legendary ’77 show

Exactly 46 years since they trucked into Cornell and delivered one of the most iconic and beloved performances of their long, strange career, remaining members of the Grateful Dead will return, as Dead & Company, to play a fundraiser concert in Barton Hall on May 8.

Spinoza on mind-body identity: Hübner wins best article prize

Hübner's winning article from the Journal of the History of Philosophy gives a new reading of Spinoza’s claim that minds and bodies are “one and the same thing.”

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Meet spring 2023 Teiger Mentor in the Arts Wells Chandler

In advance of his March 23 lecture at the College of Architecture, Art, and Planning, Art Department faculty member Wells Chandler shares insights into his studio practice and approach to pedagogy, both of which seek to offer liberating safety and intense delight.

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